Demon Craps Trainer
Demon Craps Game

8) Demo-rats This image was removed due to legal reasons. 8) Demo-rats 7) Dim-ocrats 6) The Dims 5) Demo-craps 4) Dumb-ocrats 3) The Dums 2) Demon-crats 1) Dump-o-craps.
The demons have gathered around to see how this game of craps will play out.

Demon Craps Trainer

Oney Plays Demon's Souls - EP 7 - Farts and Craps OneyPlays. Unsubscribe from OneyPlays? Cancel Unsubscribe. Subscribe Subscribed Unsubscribe 765K.

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The Demoncraps greatest deception to date rests in convincing blacks that the Demoncrap Party actually supports them. They don’t. Instead, the Demoncraps are simply using blacks, if not for slave labor, then for votes for the elitist Demoncrap party, to keep them in office and power at the EXPENSE of the poor here in America. Every Demoncrap from LBJ to Hillary and even Obama, including many blacks in Congress, have been caught making diminutive statements about other blacks, particularly the poor. Congressional blacks have also bought into elitism and figure that just because they made it doesn’t mean they can’t rise even higher on the backs of other blacks. This mentality apparently goes back to the earliest days of black slavery, when warring tribes in Africa would sell the members of neighboring tribes into slavery, to slave traders of both Islamic and Dutch origin.

A combination of demoncrat and democrap. Always used as an insult, it is used usually by people of the far, far right who consider anything the least bit left as evil (demon) and stupid (crap). Scare the Dog: A pony refuses to go into its stall because it could sense the presence of the titular demon waiting inside, and is so terrified that it craps itself. Weaksauce Weakness: Justified and played for symbolism. Rawhead is repelled by menstruating women, even representations of them.

There’s only one way to restore America’s greatness, and that’s to ELIMINATE ALL DEMONCRAPS from office.

A pit trap opens up beneath a character. At the bottom of the bit they are falling into is a button that drops a stone block on top of them, covering the hole and smashing the character.
A lever with a sign that says “Pull to open” next to a locked door with an extremely poorly hid trap door right under the entrance. Pulling the lever surprisingly opens the door. If you touch the door without pulling the lever, the trap door opens.
A series of regal-looking interconnected hallways are dimly lit with magical torches suspended in sconces. The entrance that the intruders come through suddenly closes itself off, and the intruders sit in silence for a few seconds. Looking down one of the other hallways reveals a slowly encroaching patch of darkness that snuffs out the torches as it makes its way forward, which relight themselves when intruders approach them while the darkness is not nearby. The intruders must search the various corridors while simultaneously avoiding the patch of darkness, which envelops and leaves no trace of anything that enters it. Any attempts to do combat with the darkness prove ineffectual, as anything that enters vanishes, never to be seen again. The darkness is semi-sentient, and the intruders can interact with it by trying to hide from it or get it to follow them. The key to escaping the hallways lies with the magic torches in the two impressively decorated sconces that the darkness can’t seem to pass by. By removing one of the special torches and carrying it with them, an intruder can hold off the darkness or even push it back. However, confronting it for too long will begin to dim the torch until it eventually snuffs out, forcing the holder to escape the darkness in order for the torch to relight. When the special torches approach the darkness from both sides of a hallway, it condenses and eventually fades, leaving a shadowy door to the outside where the last of it vanished.
A roughly cut gemstone hovers ominously over a crude alter in a cavernlike room while a malicious spirit floats up around the ceiling and out of sight. New entities entering the room causes the crystal turn to face the intruders, revealing that it is actually an eye of some sort, containing a pupil that darts rapidly between the intruders and the spirit. The spirit immediately begins cajoling the crystal eye into destroying the intruders, talking to it as though it were a child in need of guidance. After a few seconds of apparent listening, the eye completely focuses on the spirit and pillars of rock begin to rapidly erupt from the room’s surfaces at points near the intruders. The pillars, while initially inaccurate, begin homing in on the intruders more and more the longer they stay still, and do 5d10 bludgeoning damage on a hit. The key to escaping the room is the crystal eye in the center of the room, which is being told by the spirit to kill the intruders. By being more persuasive than the spirit, intruders can convince the eye to stop its onslaught and eventually target the spirit instead, which will disperse after being hit multiple times with pillars of rock. The eye is very childlike in its considerations and will lose focus if the intruders fail to convince it or begin to act too impatient. Simplistic approaches work well, and the eye responds positively to constructive encouragement when it targets the intruders (That was some very good aiming, I could feel the wind rush by me! Next time though, try to aim towards the mean spirit instead, OK?). Once the spirit is destroyed, a gentle suggestion that the eye create an exit will convince it to pull a slab of rock away from a wall and reveal a passage to outside the room.
Walking through an area with “Dormant hives of bees,” there is a queen bee figurine with a stinger shaped like a key in a glass jar at the opening of a room. The jar acts as a seal to keep the pheromones of the queen away from the rest of her hive. Once removed from the jar to unlock a mysterious key hole, the once dormant hives awaken to attack whomsoever holds “their queen.”
A nearly invisible gelatinous cube encloses an entire section of a hallway/corridor. Requires strong perception check to even see. Will immediately begin digesting any adventurers who walk into it, tinging the clear jelly a slight pink color.
A hallway with what appear to be dart traps, or falling spike traps, or fire. There are several different hallways in a succession of 3 (so imagine three hallways one after the other with different traps, with a small room between each that could hold 4-6 people. Each hallway starts with 2 statues. The first hallway deactivates the traps by grasping one of the hands and turning it down. Once the next hallway both statues have hands that turn, and one activates the traps just cleared while the other deactivates the ones ahead (but both can’t happen so if the try to deactivate the traps ahead it will still be active). And finally the last hallway will deactivate the traps but the floor is pressure sensitive. Illustrate this by having the party see the hand start to turn back when a member starts to walk across. Essentially the first two hallways punish groups that don’t follow right behind the rogue and send him f